Monday, October 5, 2009

Art Institute Photo Show




I love photography because it is the world, but different. Come out and check out a show with some of Jacksonville's leading and emerging commercial/editorial photographers.

Featuring:
Jeanne Caisullo
Walter Coker
Laura Evans
Natalie McCray
Garry McElwee
Eric Staniford

Thursday, October 8, 5-9 p.m.

Art Institute
8775 Baypine Rd
Jacksonville, FL 32256-8528
(904) 486-3000

Above image by Natalie McCray.

Thursday, October 1, 2009

New Work At JIA






Cabeth over at the JIA arts Commission was kind enough to invite me to show works in the kiosks at the airport. She asked for more three-dimensional works, and since I had been kicking around this vitrine/vessel idea, it was good incentive for me...often I am really, really good at the talking parts of ideas.

That being said, I produced some new pieces I am rather pleased with, and since I do not expect people to go out to the airport to ogle my work, here are some samples.

The works are found object, acrylic vitrine, and balsa wood (though I think in the future, I'll use birch plywood and a jigsaw). They are prototypes and I hope to watch them evolve.

Thursday, September 24, 2009

The Sixties Aren't Dead, Just Evolving: Sonia Sanchez at the Ritz



“All poets, all writers are political. They either maintain the status quo, or they say, ‘Something’s wrong, let’s change it for the better.’ That’s what my life has really been about.” –Sonia Sanchez

Last Thursday I went to see Professor Sonia Sanchez at the Ritz Theatre. Before being invited, I had never heard of the radical poetess who confronts social and economic disparities in her work.

Alternately an integrationist and separatist, Sanchez began teaching in San Francisco in 1965, developing black studies courses; while, her poetry addressed the conditions and ramifications of being a person of color in America.

“we are sudden stars
you and i exploding in
our blue black skins.”

When Professor Sanchez spoke, she read some poems and told stories of youngsters in crisis, of how so many kids still can be “filed” under/written off because they are underprivileged, underserved, and utterly forgotten. Of how they’ve never had someone to love them, to care whether they lived or died, and of how humor and compassion can be used to send them a lifeline.

These used to be the kinds of things I thought about a lot. And not just because I too was a public school kid, getting by on scholarships and financial aid. But as those days get further and further behind me, I find myself settling into a kind of middle-class stupor. Cushioned with all the comforts of home and stability, my once commentary work has instead turned personal and arcane.

Though there might not be too much I can do to change the trajectory of what I do and what I write about, I can, as Professor Sanchez suggests, make phone calls and write letters. Especially in my own community.

Professor Sanchez talked about the time she and her sons were watching a baseball game. And the batter made a magnificent hit, the kind of hit that no outfielder should be able to catch, but one player, running faster and harder than all the rest, leapt up and caught the ball. It was breathtaking and she and her kids were high-fiving one another until the announcer voiced over saying, “Wow Jim, didya see that monkey run?!” Immediately the jubilation in their home was replaced by anger and Sanchez went to the phone.

She called the station, and kept calling until she spoke to someone to whom she could voice her disgust. Ultimately the sportscaster issued an apology. Of course, it probably didn’t change the way he thought, but it did force him to acknowledge that you can’t say things like that because people are listening…and they’ll say something.

Listening to the very words people say is another tactic Sanchez advocates, because it is there that you find out what they are thinking. Of course, it also bears mentioning that the Professor advocated the entire audience refrain from gossiping for a week in order to clarify their urine…but that’s another topic for another time (she is 75 and a little crazy after all).

The lesson to take away? Stop just sitting on the sofa, one need not be out protesting in the streets to affect change…letters and phone calls work too. The important thing is to pay attention.

Saturday, September 19, 2009

Shameless Self Promotion Alert!


This Friday: join me and a bunch of other artists at Jane Gray Gallery for a look at contemporary work made in the past year. I'll have two new pieces in the show, and also "There to Here," (pictured) which was featured in the July issue of Water's Edge Magazine.

Tuesday, September 15, 2009

Cake Spotting




A few weeks ago I decided to bake a cake whose recipe I’d been looking at and thinking about for a week: Ruth Reichl’s Apricot Upsidedown Cake. Taken from her 1971 cookbook, Feastiary, this would be the second Reichl recipe I’ve tried since discovering her writing.

Reichl was the food critic for the NY Times, until she was offered editorship of Gourmet magazine. She’s known for a deliberately democratic approach to food writing (she was the first Times critic to ever assign three stars to noodle restaurants and other eateries not firmly in the European/French tradition). She is also known for the kind of writing you wish you did (or at least I wish I did): i.e. funny, warm, succinct, and mildly nostalgic.

In preparing the recipe, I was struck not just by the flavors, brown sugar, butter, and apricots…but by the simplicity of it. I imagined a meadly of toasty caramel flavors, set off with a simple golden cake underneath…and the apricots all turned to candy.

Was I wrong.

Imagine instead gloppy sugar-butter topping, too moist fruit (so I used peaches instead of canned apricots—none to be found in Jax), and a cake with too much sugar, so it scorches the top (which will be the bottom). After I pulled the cake out of the oven and tried to peel the burnt part off, I thought the cake might be rescued if I cooled it…turning it (maybe) into more of a bread pudding-like desert.

Nope.

After trying it again, two hours later, it still tasted like something from Reader’s Digest circa 1977…before America realized it didn’t have to eat like it was still the war and things in cans weren't so good for you.

Baking is a science. So although I think I could see my way to creating something with these flavors, only a more subtle, fresh version, I am not sure I have the patience to try and try again.

I’m not sure what I take away from the whole experience other than beware of recipes from 1977…except maybe to remember that nostalgia is a dish best served sparingly…and probably cold.

Thursday, August 27, 2009

Madeleine II: the follow up


So it's been a while since I posted anything here and that's because I have had a really rough summer...but I finally seem to be coming to the end of it (summer and rough times). Hopefully, in the next couple of days I'll post stories and processing I've done over the break I never meant to take.

Until then, know this: Ernest Hemingway's house smells like cat pee.

p.s. pic credit goes to Natalie McCray

Wednesday, June 10, 2009

Honor

My two grandfathers were friends their entire lives. And though I try to steer away from the maudlin or overtly self-indulgent on this blog, one of of my grandfathers has passed.

The other, 91 years old and walking with difficulty, wants to be a pall bearer. My heart breaks for his honor and dignity.

Friday, June 5, 2009

Call to Artists


This crossed my desk, and though it's pretty last-minute-ish, I thought some people might be interested. If you want the entry PDF, email me and I'll forward it on to you: madeleine53@gmail.com.

The LAB Gallery @ MOCA

JUNE 11TH – AUGUST 27TH, 2009

The LAB Gallery is located on the 1st Floor of The Museum of Contemporary Art Jacksonville, adjacent to the Museum Store. The informal display is intended to offer an exhibition and sales opportunity to emerging local and regional artists in a high visibility downtown setting. Two artists will be exhibited simultaneously in five exhibitions throughout the summer.

Friday, May 29, 2009

enigma and enthusiasm


I like Matt...I think he's funny and reflective (and not just because he wears shiny clothing). And on an certain level, his work is informed by absurdity....the great-great-great-grandchild of Dada.

Wednesday, May 27, 2009

For Brian..we love you man.


I don’t have health insurance. That doesn’t make me unique by far. And for the most part, I don’t really think about it. I don’t think about it until I am forced to. Luckily for me, the setbacks in my life have always been fairly small…however, that’s not the case for everyone.

Brian Hicks, one of Jacksonville’s most well-known, and well-loved musicians has cancer, again (I mistakenly thought it was brain cancer, it is not). Undoubtedly you’ve probably heard about the various and ongoing fundraising efforts for his medical bills. And so far, the community seems pretty committed.

Here’s another chance to help out a friend while checking out some new work. Mark George has organized a benefit, “I Love Brian,” on May 29, 6-9 p.m., at Flux Gallery.

Mark said, “Brian Hicks, well known in the riverside and San Marco community in Jacksonville is a very well accomplished musician that needs our help with his personal battle with cancer. He is suffering now for the second time in 3 years. His hospital bills are piling up, and benefits for Brian have been organized and generated a good amount of money already. Now is the time for us to pull together to help Brian in this very dark point in his life.”

flux galley
1011 Park Street
Jacksonville, FL 32204
in Historic Five Points

*according to Mark, all the proceeds go to Brian.
**for a sneak peek, go here.

Tuesday, May 26, 2009

New Cummer Director

Directly from the Cummer:

Edward W. Lane, III, chair of the Board of Trustees for the Cummer Museum of Art & Gardens, announced Hope McMath as the museum’s new Director.

McMath has served as Interim Director, Deputy Director of Programs, Director of Education, Associate Director of Education and Art Historian at The Cummer since 1994. She holds her Masters of Arts in Teaching and Bachelor of Fine Arts from Jacksonville University and is a prolific printmaking artist.

“Hope McMath has long been recognized as a creative and industrious arts educator, but she surprised and delighted the museum’s Trustees and staff with her strong leadership as interim director during the past several months. We are fortunate to have such a talented and accomplished individual lead The Cummer,” said Lane.

As a result of McMath’s leadership and vision, The Cummer’s educational programming and interactive arts center, called Art Connections, is known nationally as a model for arts education programs. During her six-year tenure as Director of Education more than 210,000 school children have visited the museum. The four-day VSA Festival serves children with disabilities and has grown exponentially under her direction. Since its beginning 14 years ago, it has grown to host 2,500 children annually supported by more than 1,300 volunteers and more than two dozen community partners. As Deputy Director of Programs she launched the Weaver Academy of Art, supported by a $1 million endowment from the J. Wayne and Delores Barr Weaver, to reach underserved students in Jacksonville. The program integrates the arts into the children’s education, homes and lives impacting entire families, schools and communities. “Art Connections is a nationally and regionally recognized leader in accessible, quality arts programming that engages and promotes a life-long love of the arts in all students. It is this leadership and excellence that initially encouraged us to endow the Weaver Academy of Art,” said Wayne Weaver.

As Interim Director she has worked with Museum Curator Holly Keris to reshape an exhibition schedule highlighting many of the museum’s collections and donors and is spearheading a three-year strategic planning process for the museum. “The museum’s donors, collection, programs and gardens are great strengths that are both unique to The Cummer and an exciting palette to work with – I am thrilled to lead the strategic planning process that will leverage and engage these assets to their greatest benefit for this community,” said McMath. “The magic that happens when our visitors engage with the art, the gardens and one another inspires me to blend strong Cummer tradition with a fresh vision for the coming years.”

“As incoming Chair, I am enthusiastic about working with Hope over the next two years. She is the right leader with a terrific set of skills that will see the museum through these tough times and position us to be a more dynamic and strong institution than ever before,” said Jim Van Vleck, vice-chair.

McMath replaces Maarten van de Guchte who resigned in April.

The Place We All the Loved Most

Friday, May 15, 2009

Bridenstein


So, I know my posting has been spotty lately and for the next week or so it'll continue to be. Tomorrow I'm getting married, and then we're heading out of town. It's a small affair, but the food should be great, and I couldn't be happier!

Wish me luck making it down the isle in my designer shoes.

I'll resume posting next week. In the meantime, I urge you to support the Brian Cancer II event at Eclipse this Sat., night. I'm donating a large framed piece from the new series, and starting the bidding low, low, low.

Show Brian lots of love.

Monday, May 11, 2009

small victories


I just got am email from Allison Graff, the Art in Public Places Program Manager (for) the Cultural Council of Greater Jacksonville. As many of you probably already know Allison has been sick due to a virus that attacked her heart. Read more here.

We are pleased to welcome her back to her job, and look forward to seeing her smiling face at future events and just around town!

Saturday, May 9, 2009

Once they're gone, they're gone

First off, let me begin by thanking everyone who came out to the Thursday night show...and even those who meant to make it, but ran out of time. The show went really well, and except for me getting a little tipsy and spilling my drink, I also managed to hold it together, and (I think) talk articulately about the new work...where it's coming from and how I hope to proceed.

However, this isn't meant to be a lauditory post to stroke my ego, I want to bring the issue of proposed neighborhood destruction to your attention (especially if you live in Riverside. My friend David White (who is also a realtor with integrity) forwarded the following link to me. Here's an excerpt:

"Riverside may lose the last remnants of the historic Riverside Clinic and Riverside Hospital if a local developer follows through on plans for a drive-through pharmacy.

That has preservationists upset, especially because they say they were not made aware of the project.

"I can wholeheartedly say there's no way we would support the demolition of those buildings," said Carmen Godwin, executive director of the nonprofit Riverside Avondale Preservation Inc. "It would be a devastating loss."

In March, the city issued a concurrency statement to Renaissance at Riverside Inc. saying that the city's infrastructure, such as utilities and traffic, would be able to handle the developer's proposal to build a pharmacy after demolishing a historic office building and nearby house.

The two properties - the Jelks Building, a three-story, tan brick building; and a two-story Prairie School brick house on Margaret Street - are across the street from Memorial Park next to the Villas of St. Johns apartment complex, and across Riverside Avenue from the Publix-anchored Riverside Market Square."

Read the rest here, including how the developer received incentives from the city, and tried to sneak this through without RAP's knowledge.

Here's a link to City Council, and as soon as I find out the person/people to whom one should direct ire, I'll post that info here.

I will also post pictures of the property later.

Thursday, May 7, 2009

The Big Night

So I just finished hanging the show, and it looks good, though now I don't...If you'd like to come, I'd love to see you there.

6-10 p.m., the Design Cooperative, LLC, 1032 Hendricks Ave., Jacksonville (across from Reddi-Arts), 904.612.6058.

Wish me luck!

Wednesday, April 29, 2009

Sneak Peek


For the most part, I don't like to post up new work until it has been in a show...however, here's a little look at one of the pieces I'll be putting in the Dwarfs and Giants Show. It's actually the work that is featured on the invite.

Hope to see you there!

May 7, 6-10 p.m.
the Design Cooperative
1032 Hendricks Ave., (across from Reddi Arts)

Thursday, April 23, 2009

Hirst for Supreme



hilarious

dwarfs and giants: a show



The premise behind the show is some very large works will be available, but also some very small, and perhaps more appropriately priced pieces will be available as well. Plus, it's gonna be a good time!

Hope to see you all out.

And yes, as we get closer, rest assured I'll go on and on about it...

Friday, April 17, 2009

Folio goes to the Cummer



When Folio Weekly announced its call for artists for its inaugural art show, I admit, a derisive chuckle may have escaped. Though Folio has been a long-time supporter of the arts, their focus has always been music. Or so it seems to me (and I used to write for them).

I then did a little research on the gentleman selected to be juror, Folio Weekly Art Director W. Kelley Lucas. I’d heard good things about him, however, looking at is work, which seems to have greater ties to comic, illustration, and satirical traditions, I arrogantly thought that the bent exhibited in his work would be evident in the show selections.

Though there is a distinct lowbrow/underground vibe to the show that could arguably be linked to Lucas’s personal aesthetic, as a whole, the show is thoughtful and surprising. And perhaps most exciting of all, there are several artists on display whose work I was not familiar with.

Franklin Matthews’s muddy green landscapes seem to consciously defy the clear, white-blue light so often depicted in NE FL landscapes. Almost tangibly hazy, the works seem quickly, but confidently executed and the boggy sensations the paintings evoke make me want to check my shoes for mud.

Clay Doran, the alter-ego of the artist Squid-dust presented two works which are based on the decay of the urban landscape. Using rickety window casings with the glass still intact adds to the feeling that Doran has rescued the piece from the “city floor,” and through a change of context reinvented it.

Edmund Dansart’s work is also evolving. His palette and brushstokes, though still conveying a great deal of agitation bow to the greater impact of his work as a whole. Which accomplishes much more through sly humor than his earlier grimmer and more narrative works did.

Overall, though I’d say the show displays what might be described as a Folio-esque aesthetic, it hangs together well….and even in that lowbrow-ish bent is still very much in keeping with values and interests that former director Maarten van de Guchte took the museum in. Specifically his interests in Americana and folk art.

Featured artists include:
• Brian Gray
• Casey Matthews
• Chad Landenberger
• Clay Doran
• Daryl Bunn
• David Hansford
• Edmund Dansart
• Matt Abercrombie
• Franklin Matthews
• James Greene
• Jose Cue
• Leigh-Ann Sullivan
• Christina Foard
• Logan Zawacki
• Mark Estlund
• Matthew Bennett
• Sarah Crooks Flaire
• Zac Freeman